Why is lust so seductive?

First things first – I survived the monologue! After twelve years off the theatre’s stages, I got through it intact.

In fact that smiling face on the left is me after the event, still in “costume,” signing books and enjoying myself.

Who’d have thought it?

Thank you to my dear friend Nina for taking the photo and proving to me that I really did have fun.

The response has been overwhelming, and has made me very grateful that I pushed myself to do it. I’ve honoured my original intention, as well as the promise I made to my sin-donors – to write a monologue for performance. The question now is whether it has another life. I’ve had lots of encouraging – even determined – calls and emails suggesting it should have a life of its own.

I’ll see how the dust settles. I can now see a way to write it, and am tempted by the possibility of expanding it to about 75 minutes. But I’m really not sure about performing it. That was a strange experience. I remember standing in the wings about to go onstage, and then I remember tucking happily into my sleeping bag and feeling such pleasure that it was done – and I recall nothing in between! A bit like the days when I walk and am able to see myself from outside myself.

Anyway, I think a script could be given over to one of my many wonderful actress friends, but some people have suggested it needs me in it. That makes  a kind of sense,  coming from those who were part of that invited audience and who knew the “Ailsa” they were watching was the Ailsa who had walked and written it, but I think that other audiences would simply watch the story unfold and, hopefully, enjoy it as a full-blooded performance by a wonderful actor – if it can be made theatrical, as I hope.

SO…that’s the news.

And what of what I learned?

For me, the most intriguing conversations I’ve had as a result of the performance have been about the issue of lust. For the monologue, I chose to focus on particular sins and characters that could fit together to tell one coherent strand of the book, because I knew it was impossible to cover everything. That’s why there is a book!

Part of the strand I dramatised was my battle with desire for the amigo character, because his story spoke to so many of the sins I carried.

Several people have commented that they found my expressed desire confronting, both onstage and in the book – particularly on my husband’s behalf. That they would not want their partner or wife putting those admissions into the public sphere. That my husband is brave for being able to hear it. That it is too much.

That intrigues me. It ignores the fact that I state very clearly that I didn’t act on the temptation. It also ignores the fact that my husband was potentially just as likely to have such desires in my absence – after all, marriage does not stop us from feeling our natural human urges. Or did I miss something? And it ignores the fact that I attempted full and frank disclosure, since confession was at the root of the story. That one of my core beliefs is in the power of confession and its potential to free us, to offer us space to be authentic and to live large.

Was I to let myself off the hook? Surely that would have defeated the point? Surely it would have been a lie not to confess? And that would have been the sin!

What perplexes me most, though, is that the mere possibility of sexual betrayal is more compelling than the actuality of my lived incidences of pride and anger – my real “sins”. Pride in particular (my great “sin”) is a nasty, mean-spirited thing. It shuts others out, refusing to allow them to offer assistance or knowledge. As I learned at the very beginning of the project, it is a sin that sets itself up as the strong/smart/more experienced/more capable one. It is the sin that says “No, thanks, I know way better than you and I’m just fine without you.” It’s hurtful, and doesn’t allow others to share their wisdom or strength. It is arrogant and cold.

I could go on, but I suspect you get the drift of my ponderings.

What is this fascination with sexual desire? With lust? It seems such an ordinary thing to me. A normal thing. If we didn’t feel it in some small way – whether simply admiring another’s physical beauty, or recognising a powerful urge – would we still be fully alive? See, I don’t think that the thinking or experiencing of desire is – of itself – a bad thing. It’s a mark that we are awake, isn’t it? Like anger, it’s not the response or emotion, it’s what we do with the response. Well, I reckon…

Anyway, I’m mulling over it, but thought I’d float the idea and see if others find it curious. What say you?

Meanwhile, to elevate this post above my ruminations, I was sent a magnificent Neruda poem by Andrew, who is, I believe, a subscriber to the blog (as you know I can’t tell who subscribes and who pops in), and who has sent me many wonderful offerings for which I am most grateful. This one arrived yesterday and I’m mad for it. It’s Pablo Neruda. No need to say more…

From so much loving and journeying, books emerge.
And if they don’t contain kisses or landscapes,
if they don’t contain a man with his hands full,
if they don’t contain a woman in every drop,
hunger, desire, anger, roads,
they are no use as a shield or as a bell:
they have no eyes, and won’t be able to open them,
they have the dead sound of precepts.

Thanks Andrew. It is beautiful.

Thanks also to Arts Centre Melbourne for creating the scenario in which I ultimately had to write the monologue. I’d never have done it without you and your supporters, and I’m glad I did.

Gracias to the astonishing Rachel Burke for miraculous light, and to Peter – my true north – for patience and advice in the fearful moments. And to these old friends, who were pulled out for the occasion, to give me courage and authenticity. The mighty Merrells…

Finally, a little housekeeping…

Some book events coming up. Please check the tab above – EVENTS AND MEDIA – to see if there is something that appeals. As you know, this pilgrim loves company.

Thanks for reading…for journeying…

Hace dos años…

 

Two years ago…

I arrived at Finisterre after 1300 kilometres of marvels and mud!

Finisterre.

The name has taken on mystical significance for me.

Land’s end.

The place of arrival.

Of course there is really no arrival, there is only the ongoing journey – the next road that opens. But sometimes it’s good to honour a milestone, and so today, that is what I’m doing.

After the usual washing of clothes and body, massaging of legs and feet, carb-loading and journalling, I walked uphill out of the port to the lighthouse, passing this pilgrim monument on the way.

It was about 9pm.

Bright, clear and warm.

The sea and sky – the world! – seemed to stretch to forever. A trickle of other pilgrims splayed out along the road in front and behind me, but all of us walked in our own silences, suspended between ending and beginning.

We sat and watched a hot red sun turn to orange then pink, as the sea turned from deep blue to mauve below it.

I burned the list of sins, honouring the tradition of release at journey’s end, and honouring those whose courage had kept me walking.

It felt just right.

Then, as the whole world turned pastel, I walked downhill, stopping to ask a fellow pilgrim to photograph me at this distance marker.

It reads “0.00 km”.

Nowhere else to go.

Nowhere to be.

Just here and now.

I can’t remember any place ever feeling so full, or so empty. Perfect.

The world is rather a whirl just now, as I ready myself to offer up a monologue about the work, this Wednesday night in Melbourne. I’m doing things I’ve not done in years – learned lines, pondered how to project my voice, considered my own body in space.

The road will always surprise us!

But in the midst of the fear around failure that accompanies any task I care about deeply, I took myself out onto the road yesterday and walked along the Great Dividing Trail. After about two hours, I looked up at the wide turquoise sky and began to sob with happiness – that strange, inexplicable thing that can happen sometimes when I know I am in my skin and where I am meant to be, and grateful. So very grateful.

Our neighbourhood is being photographed as a record of the 2012 residents, and as part of it we had to fill out a questionnaire. One query was what we hoped to be doing in ten years time. My answer was – still feeling thankful for a body that is strong enough to carry me along a road.

May you remember to honour your milestones.

May you feel the pleasure of here and now at 0.00kms.

May you be overwhelmed by gratitude when you least expect it.

A couple of reminders!

If you have not listened to my Poetica programme, please remember you can download it:

http://www.abc.net.au/radionational/programs/poetica/2012-05-05/3967108

And don’t forget to read the comments – I love the one from the man in Santiago! Feel free to leave one if you enjoy it – the producer, Anne McInerney, did a glorious job, and is leaving the ABC. She deserves all praise.

And of course, if you would like to be kept updated with posts like this, and the guest posts like Tony’s, please enter your email and hit the subscribe button on the top right.

 

Carrying the Pain of Others: Reviving An Ancient Journey

Today we have a guest post. The second ever.

I hope there will be more, but for now, I’m honoured to offer you this moving and provocative reflection on the book. I am particularly grateful to Tony Doherty for facing head-on the horrors of sexual abuse, and how that plays out for him as a pastor in the Catholic church.

When I was walking, I often passed shepherds with their flocks.

Hola Senor Pastor, I would call. Hello Mister Shepherd.

I think Tony’s “flock” are fortunate to have someone so prepared to wrestle with the realities of trying to live with honesty and compassion – and disgrace – inside the structure of the Church. I feel very lucky to have received his words in response to the book.

 

To what extent are we willing to carry the pain of others? In a Church which claims to be a supporting community of believers, how do we give hope, in some genuine fashion, to someone whose life is fast unravelling, asks Tony Doherty*

 

At first blush, the concept seemed frankly medieval. An idea left behind centuries ago. Not just pre-Vatican II but pre-Lutheran. Quaint theology but tinged with medieval superstition, with more than a whiff of magic and money.

The idea – a pilgrim setting out to walk the famous Camino de Santiago carrying on her back an unusual cargo – a load of other people’s sins (for a small monetary consideration). This followed the best traditions of medieval believers who paid others to carry their sins to such sacred sites as Santiago, and so buy forgiveness. Not surrogate parenting, but surrogate reconciliation.

An Australian writer, director and actor, Ailsa Piper took on a 1,300 kilometre pilgrimage walking continually for about 45 days through storms and cold, across the rough and the smooth (this woman is no slouch) to the Spanish city of Santiago de Compostella.

Before leaving home, Ailsa published the quirky invitation: “I will walk off your sins. Pilgrim seeks sinners for mutually beneficial arrangement. Proven track record. Tireless. Reliable. Seven deadlies a speciality”.

In our so cool and sophisticated, post-modern culture could such an arcane invitation work? “…yes, people gave me their sins. From the first day, there were confessions, even some from strangers who’d heard of the quest.”

Hang about! Confession of ‘sin’ has been replaced has it not by more contemporary and non-judgemental counselling procedures – or have I been out having lunch somewhere?

But confessions they were – genuine admissions of sin from half-believers, once-upon-a-time believers, even acknowledged atheists. Always heartfelt, often unnervingly disclosive. “I have slept with my best friend’s husband. Not once but four times.” The ‘penitents’ left the impression they were just aching to deal with previously undealt with material.

Taking the project quite seriously, the writer-pilgrim would read the load of sins she was carrying religiously each morning, like some monastic chapter of faults. Her own struggles and sins became part of the daily examination. The honesty and integrity of the author’s description of this process is expressed with uncommon sensitivity and indeed sacredness. At some quite deep level it made totally good sense.

The book, Sinning Across Spain (Victory Books, Melbourne, 2012), tells the story in graceful and stylish voice which at times becomes quite lyrical.

The ‘Camino’ is in the news these days, thanks to Emilio Estevez’s splendid film The Way, the story of a father who, faced with the death of his son killed while attempting the pilgrimage, decides to do the walk carrying his box of ashes to Santiago and eventually the sea. The Piper story and the Estevez film contain a fascinating common thread – carrying a heavy load on the journey: the ashes of a son’s life and the wounds of other people’s lives.

Unburdening oneself of some personal load is an ancient practice on the Camino. At the highest point of the path to Santiago, on top of one of the most challenging hills, there stands a large iron cross. For centuries pilgrims have carried stones, more frequently not much more than we would call ‘gibbers’, often wrapped in paper on which is written a prayer or perhaps a promise. The stones would represent some guilty memory, some emotional wound, perhaps unhealed grief. It might represent a relationship sorely in need of repair or a renewed commitment to the future.

More enthusiastic pilgrims will bring several stones representing the struggles of those left behind at home. Some might choose instead of a stone a symbolic item which better represents what they want to leave behind. The genesis of the Piper invitation, to carry somebody else’s load of sin, probably finds its inspiration in this ancient practice.

Does it make sense? You’d better ask a weary pilgrim struggling up the hill with their heavy swag.

If I may intrude a personal story. Several years ago while walking the Camino I was at the ‘iron cross’ and there on top of the centuries-high pile of stones were two pink baby’s shoes tied together by their laces. I couldn’t get them out of my mind. What did their presence mean? No explanatory note. A pile of symbolic items as untidy as a garage sale. Left there undoubtedly as silent witness of some family tragedy. Hemingway was once famously challenged to write a short story in six words. His story: “For Sale. Baby shoes. Never used.”

So here’s the twist. To what extent are we willing to carry the pain of others? In a Church which claims to be a supporting community of believers, how do we give hope, in some genuine fashion, to someone whose life is fast unravelling?

For Catholics, facing with horror the shocking events of child abuse and sexual manipulation, how do we stop from drowning ourselves? One familiar response is denial. “It can’t be happening.” “Just a few rotten apples.” Another response is angrily scapegoating whatever easy target comes to mind, or the rather shamefully pulling the blankets over our heads and pretending it will go away.

Ailsa Piper’s strategy might hold a valuable clue. Are we strong enough to carry the pain of others – say, the victims of this terrible abuse? Or an even more unspeakable possibility – to carry a little of the disgrace of those seen as responsible.

Sinning across Spain asks the question: how really connected are we? It is a powerful and tantalising question.

 

* Monsignor Tony Doherty, a priest of the Sydney Archdiocese, is pastor of two Sydney parishes, Dover Heights and Rose Bay. His lifetime search is to find an appropriate language of faith for contemporary adults. He also admits to being a little addicted to walking pilgrimages.

 

If you would like to see the article in the context for which Tony wrote it, you can go to this link, which is on the website of the Sisters of the Good Samaritan.

http://www.goodsams.org.au/good-oil/carrying-the-pain-of-others-reviving-an-ancient-journey/

Muchas gracias, Tony. Muchas.

Following where the road leads…

This road has a mind of its own.

That may not have been clear to me in the beginning, when I thought it was my idea, my project, my monologue that I was going to write, and my decisions that would shape any outcomes.

Hilarious old hindsight, eh?

When I sent out my letter asking for sinner-sponsors, I said my intention was to write a monologue for performance. I even knew the actress who was going to play it – my friend and fellow walker, Louise. Perfect for it, she would be.

Writing a monologue, however, proved another thing.

I struggled to find ways, struggled to compress the story, struggled to feel truthful, or that I was honouring the story. I was met with NO at every turn!

Then one day I began to write prose, and about twelve months later that prose found a publisher. A book allowed me to tell all the stories I wanted to tell, to be as scrupulous about the journeys of others as I could possibly be – and to confess to my own journey, which was never my intention, dreading the “I” voice, as I did.

Publication, and the ensuing road-trip into the blogosphere, the twittoverse and the land of Facebook, as well as the adventure of talking the book at events and on radio and festivals with people I admire and respect…well, that has yielded fruits I’d never dreamed. Pains too. Anxieties and ego-dents. Minor abrasions, only! Mostly, a rucksack full of joys.

Now, here is the latest irony.

I find myself sitting at the desk, penning a monologue for performance to be given by me, the person who swore she would never act on stage again, at the Fairfax Theatre! I began writing a week ago and finished it – more or less! – yesterday. And incredibly, amazingly, it has not been torture. There is a monologue!

Putting aside the horrors of trying to learn and rehearse it in the next eleven days (AAAGGGHH!), the thing that remains a marvel is that it was possible to write it at all, after those attempts when I first came home from the camino.

But I woke this morning with a strong sense of why I’ve been able to do it.

Now that the book is out, I am free to make choices about what parts of the story seem theatrical or dramatic, because the whole story, the entirety of the journey, is in the world. I have honoured the road as fully as I was able, and now I can be selective, just as I was with the Poetica programme.

So the thing I couldn’t do, I am doing. Incredible.

But on the road’s timetable, not mine.

I can’t yet bring myself to think about performing it, but I’m hoping that somehow the road will bring me home to a place where I can manage that too, just for one evening.

I’m reminded of a poem, given to me by Louise. It is by Alice Walker.

 

When We Let Spirit Lead Us.

 

When we let Spirit

Lead us

It is Impossible

To know

Where

We are being led

All we know

All we can believe

All we can hope

Is that

We are going

Home

That wherever

Spirit

Takes us

Is Where

We

Live.

I live and work here, looking out this window and dreaming of things that might be, then being astonished to find that other dreams, bigger dreams, are dreaming me.

Sometimes, the sky confirms that.

 

If you want to see one of the great miracles of the digiverse, click on this link and then scroll down to the post by Johnnie Walker. This is what I mean by connection!

http://www.abc.net.au/radionational/programs/poetica/2012-05-05/3967108

I have been moved and grateful for all the comments there, but that one fair took my breath away. The world is endlessly wondrous.

Please feel free to download the programme and have a listen. It’s another aspect, another unpicking, expanding, re-examining of the story…

Simony?

In one of the interviews I did recently I was asked if I took seriously the notion of “carrying sins”. I answered that while I tried not to take myself too seriously, I absolutely did feel the responsibility and weight of the “confessions” that had been made to me. They were privileged information and profound acts of trust, and I treated them that way.

I still do.

If you have read the book, you will know that one sinner gave me the sin of gossip to carry. It would have been easy to make “gossip” of the sins, but I never spoke of them on the road, and it is only with permission that I name them in the book. I sincerely hope I will go to my grave without putting the names of sinners to the sins.

That said, I have never forgotten an email I received from one of my sinners when I reached a net cafe in Córdoba. He asked me whether I was committing the sin of simony, which is defined variously as something like “the buying or selling of ecclesiastical privileges, for example pardons…”

It was a conscience-check for me, and a cause for heaviness of heart until I had wrangled with it, and myself.

Today, I was sent the link to the app above.

I don’t suppose it is simony – there don’t seem to be any indulgences or privileges being sold – but as one of my Facebook community asked me, “Shouldn’t it be free?”

And I’m curious about how it is to be used when in the confessional.

Perhaps I will have to lash out and buy it.

Or not.

I may have to take a long walk to consult my conscience first.

Meeting a hero: Shaun Tan

As I sit typing this, if I look up from my screen my focus shifts to a print of a little red-haired girl standing in a beam of light, looking up in wonder at a glowing Red Tree in her bedroom.

Yes.

For those of you who know the book, it is the final image from Shaun Tan’s masterpiece The Red Tree. I have bought and given away that book more often than I can remember. I think it is the most precious and extraordinary story I know. And it is a story told without words. It is all Mr Tan’s incredible images – and heart.

This is my image, bought at one of those times in my life when I was earning nothing and had no prospects, but knew immediately that Shaun Tan’s work would give me hope.

The ghost in the image is the photographer.

Sorry.

It was either me or the flash!

When I went to record my interview with John Safran and Father Bob, I was already nervous. Mates had told me that I finally had cred because I was going on their show. That I had to lift my game to talk to them. That John was cooler than Melbourne in autumn and Father Bob was the man. I didn’t need to be told, but the stakes got lifted anyway!

Then I discovered Shaun Tan was also a guest.

I don’t think I can explain to you exactly how much it meant to me that I might finally be able to tell him what his book has given me over the years, or how it has become my talisman against darkness, or that I have given it to children and grown-ups and for happiness and sadness and grief and joy.

I was excited.

And there he was.

Humble, smiling, surprised and kind. He not only signed the book to me, but he did me my own little drawing in the front of it. See?

I could never have imagined I would get to meet him.

I will always keep this copy of the book.

And I will always be grateful to the mysterious ways of the camino, that brought me to Shaun Tan via John and Bob and their producer Serpil and my publicist Olivia…

And the road…

A miracle. For which I give thanks.

 

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We can walk together!

 

For the Sake of Strangers

 

Today, the edge called.

It doesn’t happen often. Mostly I can walk myself away from it.

But it was a persistent morning of blue.

Nothing more to be said. Except that when walking can’t shift things, I go to the only source I trust.

Poetry.

As I was leaving to walk the Camino Mozárabe, one of my ”poem friends” gave me this. It was true on that road, and today, although it isn’t actually true, somehow reading it is enough. I don’t need to meet strangers because I met the poem. And so I am found, just as it foretells.

Poems. The lived experience of others making sense of the world.

This one is by Dorianne Laux…

 

For The Sake of Strangers

 

No matter what the grief, its weight,

we are obliged to carry it.

We rise and gather momentum, the dull strength

that pushes us through crowds.

And then the young boy gives me directions

so avidly. A woman holds the glass door open,

waits patiently for my empty body to pass through.

All day it continues, each kindness

reaching toward another – a stranger

singing to no one as I pass on the path, trees

offering their blossoms, a retarded child

who lifts his almond eyes and smiles.

Somehow they always find me, seem even

to be waiting, determined to keep me

from myself, from the thing that calls to me

as it must once have called to them –

this temptation to step off the edge

and fall weightless, away from the world.

 

I’m so grateful poems can find me, and I’m reminded that “blue” is a colour I love.

Maybe I’ll sit with it awhile.

And remember to look up…

 

That poem won’t be in the Poetica programme. There just wasn’t room for the entire swag! But the ones that found me on the road will be, along with those that made me walk, and some that were written for me.

Please join me in celebrating words, journeys, and the talent of the sound artist, on Radio National. The Poetica programme I wrote and performed is available now for Podcast. I was so lucky to have had such care taken with the making of it.

Details can be found here:

http://www.abc.net.au/radionational/programs/poetica/2012-05-05/3967108

Stop a moment and listen.

It’s like looking up…