Talismans

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Everyone has a talisman or two – in my case, a dozen! They hold memory and meaning; they can be comfort or inspiration; they can take us home when we are away. Their significance can be instant or it can sneak up on us over time.

Locating meaning isn’t always like looking for the grail, and is often found when we least expect it, in humble places and objects, out under a wide sky or nestled at the foot of a burnt tree. To find meaning does require attention, though, and when I look at the talismans on my desk, I’m reminded that not all of their significance was obvious to me when I first saw them, so I’m glad they called in loud voices.

That eraser in the picture at the top, for instance…                                                                  I was in Rome, visiting the Ara Pacis – the altar to Peace. White and luminous and stretching back to 9 or 10 BC, it seemed impossible to me that there were cars whizzing past outside, and mobile phones pinging in the corridors around it. I was transfixed by the life of the characters in the friezes, and the delicacy of the rendering of vines and trees. Someone, centuries ago, had loved the world just as I did, dreaming of the possibility of peace between people, and trusting that we might find it if we learned to live lovingly with nature.

Or that’s what I saw!

At the giftshop I went seeking something to remind me of an extraordinary day when time had stood still and peace seemed possible. What did I find? A humble rubber with a message that seemed, at first, to be nothing more than another Roman joke. I don’t know why I didn’t buy images of the altar itself. Perhaps because I decided that no image could do justice to it. Maybe I wanted something solid to hold in my hand. Perhaps it was the outrageous scale of that rubber – the promise that it would be able to erase my multitude of human errors! Forgiveness might be divine, but for earthly muck-ups, that rectangle would get rid of plenty of mess!

I brought it home where it sat unused on my desk for months, a memento and nothing more. Then, one day, feeling wretched about writing that wouldn’t bend to my will, I picked up my Ara Pacis souvenir, and I let rip. I rubbed and rubbed the page, watching mistakes and false starts disappear, leaving an almost clean slate. There were traceries etched into the page, but it was fresh again, waiting for me to rethink, restart.

And I did.

And it was good and bad and right and wrong.

Something in that feverish act of ridding myself of the work that hadn’t worked was healthy and helpful. I learn things best by experience, and while I had always known intellectually that error is human and vital to the creative process, and that I should forgive myself and move one, it was only when my body enacted the words that I actually “got” their meaning. Rather like when I am following a trail and take a “wrong” turning. I do understand now that there is no such thing, and that I am never lost – I’m just where I am.

I don’t often use the Ara Pacis rubber, because I mostly write in pen, but it travels with me, and when I want to really play and muck up and risk, I will take a pencil and paper, and my talisman, and let rip. It is fun and freeing, and I am grateful. I hope it will travel with me for a very long time, reminding me to be human and to err with gusto in my work.

photoThere are other talismans – the precious Finisterre shell, reminding me that if I can walk 1300 kilometres to collect it, step by step, then I can complete my word-count camino at the desk, sentence by sentence. There are my beads for fingering in times of stress; the stones that are identifiers, reinforcers and weights to ground me; the dragonfly – libellula – to remind me of love and laughter; the postcards from afar that prompt me to do better for those I value; and the fat silver heart that says it all…

And there are the stamps with their tin of red ink.

Why?

Well, they are the things I want to send at the end of every missive – a piece of my best self, and love in all languages. For today, consider this a page of thick white parchment with a piece of me on it, sent to you wherever you are in the world, with love in sticky red ink pressed into the bottom right hand corner.Image 2

 

If you are in Sydney town on the 23rd May – please consider coming along to the Sydney Theatre at 10am where the gracious Caroline Baum will host a conversation between me and Cheryl Strayed, whose book “Wild” tells of her epic walk along the Pacific Crest Trail in the US. The session is part of the Sydney Writers Festival and is called Lost and Found. It will be interesting to hear if either of us feel we are found yet! The link is here if you can make it.

 

Small but heartfelt

Today was a day for small mercies and vast gratitude; for basking in the wonder of friendship; for being amazed at the view when I look back; for being hopeful about the possibility of the future; and for being profoundly glad of the present. It is always a miracle. Here and now is the best place to be, and I want to be in it fully.

So this post is short but – hopefully – very sweet. Who better than Mr Michael Leunig?

The pen is mightier than the sword

And mightier than the literary award;

Without the pen we’d be unable

To leave those notes on the kitchen table;

With three small crosses at the end.

Made for no one else to see,

The literature of you and me.

 

For all my subscribers, dropper-inners and new visitors, thank you. Your kindness and encouragement spurs me on, and buoyed me through some challenging days lately. We walk together, even when apart…

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A few videos have popped up in the past few weeks – for rainy days when the TV has blown a gasket!

This link will take you to a video of me reading a beautiful piece by Michael McGirr.

This one will take you to a talk I shared about Summer of the Seventeenth Doll at Melbourne’s Wheeler Centre, one of my all-time favourite plays.

And here, you can watch me read my piece for My Enduring Love Affair With Writing – a bit dysfunctional, but there we are!

Yep, me, me, me…

Forgive the bonfire of my vanities. The real message of this day is THANK YOU!

Hace tres años…

IMG_2993Three years ago I was in Córdoba.

Rather like this morning in Melbourne, I woke to rain, but back then, I dressed in a rush and stepped out across cobbles made slippery by fallen orange blossom, to attend a service at the Mezquita.

If you’ve read the book, you know the rest of the story of that day…the marvel of poetry floating overhead, wonder at the city’s history of inter-faith tolerance, sorrow at the way it ended, hunger for the faith of the Spanish ancianos, gratitude for the sunshine that arrived to release the scent of neroli, pleasure at sweet treats in an Arabic tea shop…

And the breakdown suffered by my theologian.

“I am so afraid,” he said more than once.

Some readers tell me they found him difficult company, and were glad when we parted. I’m sorry for that. I suppose they’re experiencing him through my eyes, feeling my wish for solitude and freedom from his sadness. His breaking.

I’m grateful I was there to be with him that day in Córdoba. For all that it was hard, and I was not having the solitary camino of my dreams, what passed between us was honourable. Decent. He broke. I bore witness – and gave some small comfort. It was an exchange that cost us both, but also enlarged us, I hope.

IMG_3012It’s not always easy or pleasant to bear witness to the fullness of another person. It’s also hard to allow someone else to see the fullness of ourselves. The “Facebook selfie”, selected to give just the right airbrushed impression, has become ubiquitous, and we are in danger of becoming less and less able to sit in the discomfort of another’s full humanity – their contradictions, errors, ugliness and frailty. Also, and this may be more of a “sin” than we care to acknowledge, we become less and less able to reveal our own frailties and ugliness.

Or is that a confession?

I should know by now to be wary of speaking for “we” and “us”. Generalisations and sweeping claims are dangerous, and all I know is the compass of my own limited experience. Lately I feel that diminishing. Fear and doubt sidle up to me more often than I’d like. There are days when I can’t listen with care or patience as I did in Cordoba. There are days when I am not true to myself – to the person I was in Cordoba, for all her shortcomings. And there are days when I will only serve up the tidy, edited version of myself. For all of that, I’m sorry.

I suppose that does make this is a confession, then.

And I will try to do better.

Funnily enough, I’d intended to write of “good news”today, because there’s plenty of it.

IMG_3043“Sinning Across Spain” has just come out in a beautiful scaled-down B version that sits in the hand perfectly. It was released on April Fool’s Day, exactly one year after the original publication date. I think of that fool’s day as my day, so the serendipity pleases me.

And there is more to celebrate! I’m going to be at the Sydney Writers Festival on May 23rd, in conversation with the luminous Caroline Baum, and the remarkable Cheryl Strayed, who wrote “Wild”. Details are on the Festival website.

My intention when I sat down was to write about those two pieces of news, but somehow it didn’t seem right to pump out “publicity” here. I strive for something real in my community of subscribers and commenters, and feel I owe something to this village - fidelidad. As I learned with my amigo, it is in fidelity to self and others that we expand.

So on this rainy Melbourne day, let me confess that I’m not always walking with a sure step just now, and writing eludes me at times, but I’m doing my best and trying to live up to the faith that people have in me. That faith spurs me on, and lets me believe that the sun will reappear, and with it, perhaps even the scent of neroli.

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A very belated heads-up, if you didn’t see it on Facebook…

Here is an article I wrote recently, turning some of these feelings into something like sense – for me anyway. Hope it resonates: The Gift of Sadness

Musing…

I’m wrangling. Busy in the head. Scattered. Lost.

So I went to one of my old notebooks, opened it, and found this. It cut through my internal clamour. Only trouble is, I want more of it, but don’t know where I got it. The notebook is ten years old, and I didn’t credit the quote. Any ideas? At least if I knew who penned it, I’d be baffled about one less thing…

IMG_3005There are, it seems, two muses: the muse of Inspiration, who gives us inarticulate visions and desires, and the muse of Realisation, who returns again and again to say “Is it yet more difficult than you thought?”

The muse of Realisation works with us best when we welcome these obstructions – this is also the muse of form, and form serves us best when it works as an obstruction to baffle us and deflect our intended course. Why? – because when we no longer know what to do we have come to our real work, and when we no longer know which way to go we have begun our real journey…perhaps…perhaps all this is, is a play of words – though the mind that is not baffled is unemployed. The impeded stream is the one that sings.

Even if you don’t know it, I hope it feeds you as it has me. Or at least gives solace!

And while we are on the subject of solace, this is what was written on the next page of that notebook – the words of the gifted and tender Nick Enright, who died ten years ago. We lost a great writer and a great spirit when he passed, and this says it all.

I’m grateful for the experience of love, it is the only reality. Love is the only reality and everything else is the negation of that.

All the horror and stupidity of the world is the negation of our capacity to love and care for each other.

Vale Nick.

There can be no doubt about who wrote those words.

A postscript – do scroll down through the comments if you are a poetry hound. Some beautiful stuff has been left here, for which I am very grateful to my subscriber family!

Friday Goodness

IMG_1170Late afternoon Good Friday.

Not a breath of air. A bird chirrups. A plane drones somewhere.

Out the window are grey clouds and the tin roof of next door’s house.

The sounds, and that view, feel remote from me.

Muffled.

Other-worldly.

Inside my study, I’m struggling. My childhood as a Catholic taught me that Good Friday is a day to commemorate a death – a solitary and agonising death, one that must have felt endless, given the way that pain can stretch time.

If I sit up straight, I catch sight of the top of an elm. Its branches form a skeleton against that grey sky. Autumn will finally have its way, it seems. Summer has been holding it at bay, but the season of the dying fall will be victorious. All week summer tried, pushing temperatures and tempers over the top, but the southerly buster came, and the rain with it. Woollens were snatched from cupboards and night closed in earlier. Leaves swirled from the trees and huddled against fences. Puddles formed in ditches and canals. Summer dusted off her skirts and took her leave, giving autumn centre stage.

And now, the world hangs in suspension. All is cool and still. In limbo. And my thoughts are of endings and deaths.

IMG_2529Three years ago I was in Rome for Good Friday, traipsing the streets of the eternal city with my friend Susan, trying to see if we could find an easter vigil to attend. There, Good Friday is a day of commerce and busyness, as you’d know if you have read Sinning. It was a shock to me to see all the activity and the spruiking. But now, I see that it makes sense for them. The focus in the northern hemisphere is on Easter Sunday. Resurrection. Why ever not? It is spring, and flowers are thick on the ground, their scent wafting from grasses and gardens. Blossom bursts from branches and wisteria droops. All is renewal and birth, in line with pagan celebrations of the season. Persephone returns, bringing new life and possibility. Spring gets sprung.

IMG_3007But here, easter falls in autumn, when the world hunkers for winter. Maybe that’s why my easter focus has so often been on Good Friday – and why my mind dwells on death.

It’s not an unfamiliar place. I go there often, and don’t find it frightening. But it is sombre. The contemplation of endings is serious business, and for me, must be undertaken in stillness and silence. I tried to play music just now, but to no avail. Not appropriate, even Arvo Part.

A crow caws. Again. He is insistent.

He seems appropriate.

Mortality. Death. Ending. Closure.

One day I will die. It’s good to have at least one certainty. I know of no other.

But I do hope to be given time to make over more days in beauty. I hope to be given hours to walk. I hope to be given days to work. I hope to be given months to live more consciously and with more compassion. I hope to be given years to continue to explore what it is to live “the good life”. To do better.

Maybe that is the goodness to take from today. The awareness that this will end makes me commit to love each minute to the full – even if the minutes are melancholy. I will give myself over to that autumnal emotion, and not judge it as less worthy than the summery smiling days. I will sit with it and honour it, knowing that it too holds promise.

And if I’m honest, I think the leaves of autumn are more beautiful than the summer greens. Maybe later I will go and collect some, and put them in a bowl on my desk, to remind me of the lessons of endings.

But for now, I will still my legs, and my mind, and be with autumn.

This is Friday, and it is Good.

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Grounded at Twilight

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Listening Lisa

Here is a guest post by Lisa J Cole.

It was written in response to the conversation last week between me, Bruno Lettieri and Barry Garner, at the Twilight School at Rupertswood in Sunbury.

Welcome Lisa!

 

 

Tell me, what is it you plan to do                                                                                             with your one wild and precious life?

That sentence is from Mary Oliver’s poem titled The Summer Day. Mary is an American poet, and right at the very end of her poem we are left to answer this question. The beginning of the poem, where first she describes a grasshopper cleaning its face with its feet and having enormous and complicated eyes, takes us on a journey, and then we are left with a question to ponder, grapple with, conjure or create with.

For many of us, it’s a tough question to answer at the best of times. But it didn’t seem that way the other night for the Pilgrim and the Verandah Sitter at the first Open House event at Rupertswood Mansion for 2013.

Ailsa Piper, writer, director, actor and graduate pilgrim shared with her captive audience that to live this ONE life is a good place to start. There is no other, just this ONE. Barry Garner, local Sunbury writer and author of Haloes in the Windscreen, shared that he sits on his verandah and reflects where he’s been and where he’s going next with the PRECIOUS people who he loves and respects around him.

These accomplished authors read from their books, laughed together and relaxed over a microphone last Wednesday night but most importantly publicly declared their personal journeys of walking. Ailsa’s pilgrim-style walking took her 1200km across Spain, alone and carrying with her a bunch of other people’s sins. Barry’s life centres in and around his suburb of Sunbury and he retold stories to the audience how he used to walk around the block with his daughter, Kylie, because she wanted to get fit. He discovered a deep connection with his daughter again. Is the importance on the ONE or the WILD or the PRECIOUS? Maybe it’s all of them.

We discovered, as we listened into this conversation that Ailsa’s greatest addiction is poetry, followed closely by walking and the intrigue and unique beauty and slowness of snails. She has a small snail engraved permanently into her skin to remind her to slow down in life.

Barry declared that he’s spent over 55 years believing he’s not good enough, but once he found writing he could express himself to the world and published a piece about his daughter Kylie leaving home in The Age. He had a rough ride last year through the festive season, but a brisk visit to Philip Island with a loyal friend filled his lungs with hope and belief that no medicine could. The room filled with enormous gratitude for two people who simply were brave enough to open up their lives and hearts to us.

The cooler Melbourne weather brought relief and fresh thoughts. As I sat and listened, my gaze fixed out the bay window on the quick, darting black birds moving efficiently and effortlessly from branch to branch. I wonder if they ponder taking on the snail’s slow life. I hear words and then applause. The bay window of the dining room sparkles; clear as if the glass was an illusion.

And in a moment it’s there – life is not a dress rehearsal. Not for a snail, or a grasshopper, or the darting black birds outside or for Ailsa Piper or Barry Garner or for any one of us sitting in that room. We have enormous lives full of potential and possibility, often complicated and too busy. The secrets to answer our question are locked up in the den and they need to be set free, especially the secrets about the ONE WILD and PRECIOUS life we all wish to live. These thoughts need to breathe and grow and walk across countries or around suburban blocks. Set them free.

How about we all start with this ONE moment in our lives and see what happens next.

 

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Pilgrim, Verandah Sitter and Bello Bruno

Gracias, Lisa. It was such pleasure to sit in those remarkable surrounds and to share the stage with two such thoughtful gentlemen. Gentle men who attend to the world about them, and to their place in it. That is what dignifies Mary Oliver for me – the way she pays attention, and in doing so, makes me open my eyes, ears and heart to wonder. Natural wonder, in particular. Her grasshopper is so particular and real for her.

Rather like my snail.

Yes, it was an evening of paying attention and shared humanity. The audience at Rupertswood was welcoming, the stories they shared were inspiring, and the birds sure did sing. My sister Amanda came along with me to take photos of the evening, and life really did feel precious…

Gracias Lisa. Gracias Bruno and Barry.

And as always, Gracias Mary Oliver.

IMG_2883A postscript…of course!

Do take a moment to look at the comments on this post. Very grateful to Darren and Jim for two beauties. A camino and some snail-talk!

 

Indulgences

According to Wikipedia – digi-bible of our days – in Catholic theology, an indulgence is the full or partial remission of temporal punishment due for sins which have already been forgiven. According to the Free Dictionary – second on the Google search list – an indulgence is the act, or an instance of, indulging. According to me – pilgrim and self-confessed fool – an indulgence is a favour granted.

Which is what I’m asking of you.

Indulge me.

Anyone who has read Sinning Across Spain, or who has browsed here, will know that my chief delight, other than walking, is poetry; the lusher the better, particularly if it is Spanish.

IMG_2297My lesser known delight is my feet.

I love them. They are my best, my favourite, bits. They have never given me blisters or pains or bunions. They make no complaint when hot or bothered, cold or wet, bruised or swollen.

They just go on.

And on.

And on.

IMG_2695This summer they have had some excellent times traipsing about in sand beside three great oceans – the Pacific, the Indian and the Southern. They have walked me far and wide on both sides of the continent, keeping me grounded but also kicking me through waters and over waves. They have skipped and they have played.

They’ve had a chance to loll, too; to rest and be admired. They’ve even had their toes painted red in celebration of their reliability and fortitude.

So what of the indulgence?

Well, tonight I found a poem by Pablo Neruda – one I’d heard before but had somehow forgotten. A bit like my feet. So in honour of the greatness, and the romance, of feet – indulge me. Please.

Here is a poem from the Spanish master. An indulgence if ever I saw one.

 

Your Feet

When I cannot look at your face
I look at your feet.
Your feet of arched bone,
your hard little feet.
I know that they support you,
and that your sweet weight
rises upon them.
Your waist and your breasts,
the doubled purple
of your nipples,
the sockets of your eyes
that have just flown away,
your wide fruit mouth,
your red tresses,
my little tower.
But I love your feet
only because they walked
upon the earth and upon
the wind and upon the waters,
until they found me.

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Gracias, dear feet. You who are closest to the earth, you are my rhythm-makers. You are my markers of miles and smiles and tears. You are the quellers of my fears, dear feet that achieve such feats. You are my best bits.

Gracias.

 

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PS – Lots of workshops and “doings” under EVENTS AND MEDIA. Click on the tab above. Also, you can subscribe by entering your email address in the box up top, and posts will come to you via email. No, there is no charge for them!

Road tripping

IMG_2630I’m writing this from Albany in Western Australia, where a gusty southerly is shaking the treetops outside my window. Tiny honey-eaters flit from branch to branch, seemingly unfussed by the tumult. Whitecaps chop up the surface of the bay beyond and clouds race across the sky. The world is whirling, remaking itself before my bleary morning eyes.

I’m told that Albany is the oldest permanently settled town in W.A.

Old. Permanent.

The weather patterns today seem intent on reminding me that everything is new and changing. The town wraps around King George Sound, which opens onto the Southern Ocean. Next stop is Antarctica. This is a place of extremes and edges.

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I came here after three days at the Perth Writers Festival, which took place on the University of WA campus. While I was there I performed my Sinning monologue on a stage I last trod thirty years ago. Big time palimpsesto. It was privilege to be back, surrounded by family, friends, new friends, and a few heroes too.

IMG_2602I had the oddest sensation at the opening of the monologue. I was sitting in my “Spanish cafe” section of the stage, wrapped in a bubble of warm light, as the audience filed in. Gracias A La Vida was playing. I wrote in my journal. I sang along under my breath. I was introduced to the audience, my biog read out, the music came and went. House lights dimmed…

All normal. All to plan.

Except that I felt something completely new: I was in Spain and Australia simultaneously. I was in a bar on the road, and I was in Perth in my student days. I was a pilgrim and a writer/performer. I was present to both, yet also, curiously, outside of both, writing about the experience in my journal. Later, I realised that it was not unlike what happens to me sometimes when I’m walking – that sensation of being out of body, watching the small dot moving along the road.

Whatever it was, it was right. The monologue had a life all its own. Maybe it was happy to be on a stage, or to be back where it all began, or to be given to such a welcoming crowd. No matter. It was joy. The whole Perth experience was joy. Days of laughter and talk and folly and wisdom.

And then, a group of writers was flown south to Albany for the Write in the Great Southern Festival. A gift, because Albany sits at the end of the Bibbulmun Track, a 1000km bush path I’ve long fantasised about walking.

IMG_2661On Monday, I lead a workshop along a stretch of it. Sand got into my boots, salt spray into my lungs, and I was claimed. I’m not sure how or when, but I think I must return. Thank you to those who braved the workshop. It was a little unbalanced – rather too much time spent on the outward leg, because I didn’t know the track – but it was magnificent to watch you all out there writing.

Writing and walking and working. What else?

On Tuesday, I was fortunate to be lead in conversation by Sue Lodge-Calvert, the local Anglican Minister, a deeply thoughtful, light-hearted woman. On several occasions I was surprised by turns in our talk, but never more so than when she asked me to read the following section from the book. I’ve not looked at it since publication – I’ve always read other sections. On Tuesday, it shook me. It is a journal entry, immediate and unshaped, and maybe that is why. Or maybe it was just that it felt very true, here in Albany where I have walked with such gratitude and hope. Regardless, I am glad to have been reminded…

 

For me, prayer is walking. Every step is a prayer. And if there are sacred places, then the ones I have seen are roads that stretch to the horizon, empty of all save perhaps a fellow traveller, dotted in the distance, walking a separate but connected way.

 

A saint is a tree beside a road, the branches wide enough to

give comfort and solace in equal measure.

 

A sermon is a story told at sunset, two spirits meeting to pay attention, to listen, and to learn.

 

Divinity is the moment when heartbeats and footsteps

align, find each other, and mark miles together.

 

Miracles ask little and give much. Like a woman tucking homemade food into a stranger’s pockets, miracles quicken the step, light the way in the early morning dark, and are the first star of the evening cool. Miracles are journeys from emptiness to fullness, from heartbreak to heartache to heartburn to heart’s ease. And back again.

 

And heaven?

Heaven is a place where good people do bad things and bad people do good things and somewhere out on the miraculous road, good and bad people look into each other’s eyes and realise there is no separation. They are the same.

 

And ‘buen camino’ is a blessing.

Good road. Good path. Good way.

Perhaps it is the only blessing.

 

Now, this morning, I am off to Denmark!

No, not Hamlet’s place! I’m going about 40 minutes down the road to another festival, where we will share stories in the wetlands, and try to crack open some of the mysteries of words. I hope I will walk, too.

Meantime, the wind is still howling, crows are cawing, a pelican soared overhead, and those clouds keep racing from right to left across the windows. Out on the cliffs above the Southern Ocean, the wind farm’s mills will be whirring. Nothing stands still. Time is on the road, stepping out, calling us forward.

Buen camino, my village. I’d better get packing. Gracias for walking with me.

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I’m indebted to so many people for these last days: Katherine Dorrington and Del Robinson at Perth Writers Festival; Jo Smith at Write in the Great Southern; Anne de Courcy for friendship and shared stories; Sue Lodge-Calvert for waking me up; Jon Doust for catching me when I swooned; Maree Dawes for walking and poems; Phillip Adams for the hero moment; all at the Stella Prize for the laughter…too many people. Too much kindness. It has been another master class in generosity.

Gracias.

OK. Hi-ho. Close the suitcase and wash the dishes. The road is opening…

 

A Tale of Three Cities…

IMG_2560Hola amigos!

IMG_2562I’m back in Melbourne for a fleeting visit, just long enough to plant my feet in the familiar sand of Port Phillip Bay, and dunk myself in waters bordered by bathing boxes.

It has been hot. Egg-baking-on-pavement hot.

But today there is an Irish mist, the temperature has dropped, and I’m donning scarves and warming my hands on my teacup.

That’s my Melbourne.

Never assume you know her. Never get complacent!

IMG_2514My Sydney stay came to a poetic end. To say gracias to those who made my work there possible, I lead a poetry walk along the Rose Bay foreshore. Paperbarks, sandstone and the harbour’s depths inspired me to reinvent the protagonist of my next book, so I dreamed an hour of rhythm and rhyme, and offered it to the beaches and sky in gratitude.

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We were pilgrims walking a camino – joining for a verse and separating to play I Spy, alone to make a wish and united to strew the water with flowers. We made our own bay of roses!

It was a camino of gratitude, and a chance to salute a remarkable piece of land, with its history of plenty and pain, beauty and loss. Rather like all camino roads…

Pentimento, again.

And this poem, this beloved poem, was at the Rose Bay camino’s heart.

Just as it stays at my heart. Every day.

GRATEFULNESS

by Rainer Maria Rilke

If the angel

deigns to come

it will be because

you have convinced

her not by tears

but by your humble

resolve to be always

beginning: to be a

beginner.

And now, in this brief Melbourne hiatus, I’m prepping for Perth, Albany and Denmark, and their festivals. I’m going back for a celebration of words, writers and the wild west.

IMG_5203Perth was where it began for me.

I was born there, on the edge of the Indian Ocean, where the sun waves a final salute before it drops off the edge of the world. Wherever I walk, if I see a body of water, I expect the sun to dive into it at day’s end, leaving a trail of fire glistening on waves.

Sunrises over water still seem strange to me, as though the world has upended itself. Sunsets without oceans seem wasted – they can’t admire their reflected glory.

Considering that my early years were spent in the red desert of W.A.’s Gascoyne, it’s ironic that water has come to be so significant to me. Like this country I love, I am all duality and contradiction.

IMG_2570But aren’t we all, those of us who love this land with its wind-etched rocks, its salt-sculpted cliffs and its blasted desert centre? We live on the edges and dream of the heart. We cling to the wet and sing of the dry. We are flood and fire, drought and drowning.

And we are home, even if we don’t understand its ways. We come home over and over, for it’s in the not-understanding that we live fully. For me, anyway. That’s where mystery lies, and mystery is full of possibility.

Mystery is for beginners. For fools and children. Mystery is humility and softness.

Certainty is hard and unforgiving. Perilous.

Give me the mysteries of this ancient island, with its wide skies that send messages of love in all languages – if we just remember to look for them.

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If you are able to come along to any of my sessions at the WA Festivals, please stay and say hello afterwards. They are all listed on the EVENTS AND MEDIA page, up there on the top of the blog. In particular, my monologue performance on Friday morning means a great deal – I last performed at the Dolphin Theatre when I was a Uni student, back in…well…another lifetime!

May your days be spent under a loving sky…

Commonplace miracles…

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I’m still here in Sydney, and it keeps on delivering miracles. They don’t seem at all commonplace to this pilgrim, though. The way the light hits that water. The way frangipanis scent my inhalations, the way blues shimmer and slither, the way the harbour has snuck into my veins as I slide into it in the mornings. The way people have snuck into my heart…

It has been a busy week. Two writing workshops where people were lions of courage, to coin Mary Oliver’s phrase. They wrote and wrote, they skipped, they ached. Then a wide-ranging conversation with Tony Doherty at the church here in Rose Bay. Hard to read some passages from the book within those walls, but so good to step up to the task and to air painful stories. To let some light in and to release them, in the company of mindful seekers…

And now I’m plotting a poetry camino along my harbour walk for next week. I’m selecting poems and plotting walking treats. It will be an hour of celebration and gratitude to that sweep of salt I have come to know and love. It is beloved brine, and I want to honour it.

It has been an age since I put up a poem here – delinquent behaviour! And so I thought I’d share one of the possibilities for that walk with you. Hope you find miracles all around, wherever you are on your road.

Miracle Fair

by Wislawa Szymborska

Commonplace miracle: 
that so many commonplace miracles happen. 

An ordinary miracle: 
in the dead of night 
the barking of invisible dogs. 

One miracle out of many: 
a small, airy cloud 
yet it can block a large and heavy moon. 

Several miracles in one: 
an alder tree reflected in the water, 
and that it's backwards left to right 
and that it grows there, crown down 
and never reaches the bottom, 
even though the water is shallow. 

An everyday miracle: 
winds weak to moderate 
turning gusty in storms. 

First among equal miracles: 
cows are cows. 

Second to none: 
just this orchard 
from just that seed. 

A miracle without a cape and top hat: 
scattering white doves.

A miracle, for what else could you call it: 
today the sun rose at three-fourteen 
and will set at eight-o-one.

A miracle, less surprising than it should be: 
even though the hand has fewer than six fingers, 
it still has more than four. 

A miracle, just take a look around: 
the world is everywhere. 

An additional miracle, as everything is additional: 
the unthinkable 
is thinkable.

IMG_2414If you fancy some walking words, or some workshops or debates or quizzes or conversations or story-telling, or poems and more poems, please have a look over at the page marked EVENTS AND MEDIA in the tab up above. I’m busy in the coming weeks – in WA at writers festivals, and after that, back in Melbourne. The road keeps opening.

Thank you to all the people I met this week at the workshops and the talk. It is such a gift to be given time and talk, and to meet people who want to open things up with questions rather than close them down in certainty. I am profoundly grateful.

Gracias a la vida.

Every day.