Talismans

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Everyone has a talisman or two – in my case, a dozen! They hold memory and meaning; they can be comfort or inspiration; they can take us home when we are away. Their significance can be instant or it can sneak up on us over time.

Locating meaning isn’t always like looking for the grail, and is often found when we least expect it, in humble places and objects, out under a wide sky or nestled at the foot of a burnt tree. To find meaning does require attention, though, and when I look at the talismans on my desk, I’m reminded that not all of their significance was obvious to me when I first saw them, so I’m glad they called in loud voices.

That eraser in the picture at the top, for instance…                                                                  I was in Rome, visiting the Ara Pacis – the altar to Peace. White and luminous and stretching back to 9 or 10 BC, it seemed impossible to me that there were cars whizzing past outside, and mobile phones pinging in the corridors around it. I was transfixed by the life of the characters in the friezes, and the delicacy of the rendering of vines and trees. Someone, centuries ago, had loved the world just as I did, dreaming of the possibility of peace between people, and trusting that we might find it if we learned to live lovingly with nature.

Or that’s what I saw!

At the giftshop I went seeking something to remind me of an extraordinary day when time had stood still and peace seemed possible. What did I find? A humble rubber with a message that seemed, at first, to be nothing more than another Roman joke. I don’t know why I didn’t buy images of the altar itself. Perhaps because I decided that no image could do justice to it. Maybe I wanted something solid to hold in my hand. Perhaps it was the outrageous scale of that rubber – the promise that it would be able to erase my multitude of human errors! Forgiveness might be divine, but for earthly muck-ups, that rectangle would get rid of plenty of mess!

I brought it home where it sat unused on my desk for months, a memento and nothing more. Then, one day, feeling wretched about writing that wouldn’t bend to my will, I picked up my Ara Pacis souvenir, and I let rip. I rubbed and rubbed the page, watching mistakes and false starts disappear, leaving an almost clean slate. There were traceries etched into the page, but it was fresh again, waiting for me to rethink, restart.

And I did.

And it was good and bad and right and wrong.

Something in that feverish act of ridding myself of the work that hadn’t worked was healthy and helpful. I learn things best by experience, and while I had always known intellectually that error is human and vital to the creative process, and that I should forgive myself and move one, it was only when my body enacted the words that I actually “got” their meaning. Rather like when I am following a trail and take a “wrong” turning. I do understand now that there is no such thing, and that I am never lost – I’m just where I am.

I don’t often use the Ara Pacis rubber, because I mostly write in pen, but it travels with me, and when I want to really play and muck up and risk, I will take a pencil and paper, and my talisman, and let rip. It is fun and freeing, and I am grateful. I hope it will travel with me for a very long time, reminding me to be human and to err with gusto in my work.

photoThere are other talismans – the precious Finisterre shell, reminding me that if I can walk 1300 kilometres to collect it, step by step, then I can complete my word-count camino at the desk, sentence by sentence. There are my beads for fingering in times of stress; the stones that are identifiers, reinforcers and weights to ground me; the dragonfly – libellula – to remind me of love and laughter; the postcards from afar that prompt me to do better for those I value; and the fat silver heart that says it all…

And there are the stamps with their tin of red ink.

Why?

Well, they are the things I want to send at the end of every missive – a piece of my best self, and love in all languages. For today, consider this a page of thick white parchment with a piece of me on it, sent to you wherever you are in the world, with love in sticky red ink pressed into the bottom right hand corner.Image 2

Update – 23rd may 2013

Thanks to all who came along to the Sydney Writers Festival session today. It was such fun. And here is a heads-up – this Sunday, I’m going to be on The Spirit of Things on Radio national at 6.05pm. Repeated this coming Tuesday at 1.05pm. Rachael Kohn is a favourite broadcaster so I am very excited. Details are here.

Gracias otra vez!!!

Musing…

I’m wrangling. Busy in the head. Scattered. Lost.

So I went to one of my old notebooks, opened it, and found this. It cut through my internal clamour. Only trouble is, I want more of it, but don’t know where I got it. The notebook is ten years old, and I didn’t credit the quote. Any ideas? At least if I knew who penned it, I’d be baffled about one less thing…

IMG_3005There are, it seems, two muses: the muse of Inspiration, who gives us inarticulate visions and desires, and the muse of Realisation, who returns again and again to say “Is it yet more difficult than you thought?”

The muse of Realisation works with us best when we welcome these obstructions – this is also the muse of form, and form serves us best when it works as an obstruction to baffle us and deflect our intended course. Why? – because when we no longer know what to do we have come to our real work, and when we no longer know which way to go we have begun our real journey…perhaps…perhaps all this is, is a play of words – though the mind that is not baffled is unemployed. The impeded stream is the one that sings.

Even if you don’t know it, I hope it feeds you as it has me. Or at least gives solace!

And while we are on the subject of solace, this is what was written on the next page of that notebook – the words of the gifted and tender Nick Enright, who died ten years ago. We lost a great writer and a great spirit when he passed, and this says it all.

I’m grateful for the experience of love, it is the only reality. Love is the only reality and everything else is the negation of that.

All the horror and stupidity of the world is the negation of our capacity to love and care for each other.

Vale Nick.

There can be no doubt about who wrote those words.

A postscript – do scroll down through the comments if you are a poetry hound. Some beautiful stuff has been left here, for which I am very grateful to my subscriber family!

Candlemas


IMG_0622The 2nd February is Candlemas day, when, in the Christian tradition, beeswax candles were brought to the church to be blessed for use throughout the year, in rituals and in homes.

Well, that is one of the results I got from Google when I went searching.

I like the idea of a Candle-mass. I like the idea of blessing candles. They bless me daily.

This morning, waking as I usually do before dawn, I lit the candle by my bed. It had been given to me by a dear friend for my birthday last Monday, and lit up just enough of the space for me to read a few words of a favourite book. Then I put that down and lay, watching gold light fluttering across the walls and ceiling, and inhaling its rose scent.

Such a small flame, and yet it signified so much to me. Wherever I light a candle, I feel at home. As a child, I loved to light them when the generator failed – it was a responsibility and a trust bestowed. Then in churches – a symbol of faith, even when I couldn’t feel it. Somehow I had faith in the light of the candle to show me a way to somewhere brighter. I am never without candles – tea-lights in glass vases, under oil-burners, on tables for shared meals, outdoors by paths…they are celebrations and comfort, hope and promise, history and mystery writ large over all of my years.

IMG_2385I spoke to Tony Doherty about Candlemas this morning, and he remarked on something I had never considered – that even as a candle is shedding light, it is dying. It gets smaller and smaller in direct proportion to the light and heat it emits. Its job is to give itself away.

I loved that.

As I sit here typing this, there is a candle burning opposite me, its flame moving occasionally when a drift of air whirls past. My heart goes out to it in gratitude. I couldn’t even begin to count the number of moments in my life that have been restored or enlivened by those delicate flames.

So today, here in the sacred space of my workplace, I honour and give thanks to candles. Like friends, they are vital to me, and like friends, it’s all too easy to take them for granted in the swirl of these digital, white-light days. This evening, in the home of new friends, I will ask if I can light a candle in gratitude for all my friends, and for my village of readers.

And for hope.

My own Candlemas…

Melbourne April-May 08 044

Wishing…

For 2013…and beyond…

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I wish for you all that is bright and shining and new, all that’s mysterious and soft yet true. I wish for deep waters and lofty thoughts. I wish for breezes that bring you always always home to your heart.

I wish you peace and acceptance with every challenge that arises.

I wish you fulfilment and feting for every summit achieved.

I wish you work that challenges and stirs you, and lets you serve to your full capacity.

I wish you strength to your formidable heart, so you can shine light on dark days.

I wish you ease and laughter in all your relationships.

I wish you roads that open at every turn, legs that bound along them, a spirit to soar above you, and when required, a compañero whose stride will match yours.

I wish for you to be always coming home. Always on your path. Always free. Always open. Always receiving.

I wish on my star and your star and every other lucky star that your way be made in beauty and your days be made in joy.

I wish you love and love and more love.

I wish.

And wish.

And wish.

 

The year is picking up pace. I’m off to Sydney to spend time working on my new book, and also, hopefully, to make work with two trusted friends and collaborators. Fingers crossed.

While I’m there I’ll be leading a writing workshop on February 6th from 10am to 1.30pm. I’ll also be in conversation with Monsignor Tony Doherty on February 7th. After the talk we had in Melbourne, which was one of my highlights of 2012, I’m looking forward to it enormously. More details are at the end of this post. Both of these events will be conducted at Tony’s parish in Rose Bay, and if you can come along, or spread the word to others, please do. Tony is a true pilgrim – and an inspiration.

I hope such inspiration is close at hand for you all through this year, and that whatever you undertake, it brings you rewards beyond your imagining.

Sunrise at Caparra on the Camino Mozarabe

Sunrise at Caparra on the Camino Mozarabe

Thanks, as ever, for  sharing my road. I’m excited to see where it is leading us all.

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Looking back

Looking back to the meseta on the Camino Frances in 2009

Pride. My sin.

It surfaces in myriad ways. One is that I’ve always prided myself on not looking over my shoulder. I live in the present, I tell myself and others. I move forward, I say, I move on.

Well, today, I have a confession. I’m looking back.

Unfortunately, not entirely without pride!

I’ve been trying to imagine how to honour this amazing year, and those who have travelled it with me – for a day, a week, a conversation, a glimpse, or for the time it takes to read a book. Images swirled: my friends holding up copies of the book; faces shining at beachside festivals; blinking into stage lights at the end of the Sinning monologue; the profile of a hero-writer in conversation beside me; singing Gracias a la Vida when I didn’t know I dared sing; holding hands as a confession was made; laughing as a secret was told; crying as pain was shared; asking other writers to sign their books for me; thrilling at coincidences and serendipity…

 

 

 

 

 It was a glorious mental collage, but I thought I’d best be methodical, so I came here to the blog and made a pilgrimage through the posts to my first entry, written with trepidation, about entering the cyber-world. I was a Luddite and afraid. I don’t know why exactly, but I felt I would be exposed in some uncomfortable way.

Stepping forward through the posts, I marvelled at things forgotten in the melee of the months, and I began to see with clarity how very much the sin-walk has given me, and continues to give. That first inexplicable impulse to carry for others still takes me into wild places, and still introduces me to members of my village – a village that has grown and grown, and asked me to expand with it. “Get bigger,” the book has kept shouting to me as it has pulled me after it down new roads and by-ways.

I’ve tried!

This blog, begun in doubt and nervousness, is now a village all its own. Its history is right here, in the posts, but even more so in the comments, which I think of as the village square where we meet at day’s end to sniff the  breeze and check in on each other. No relationship is one-way. They all require exchange of one sort or another, and it is the richness of that exchange that I see when I look at the comments. Such wealth. Such generosity. Such humour. Such tenderness.

I thought I would compile a list of thanks, but it would go for days. I’ve shared stories in Aireys Inlet and Carlton, the Wheeler Centre and the Grumpy Swimmer, Byron Bay and Eltham, Strath Creek and Hampton, Thornbury and Leichhardt, Paddington and under the spire of the Melbourne Arts Centre. I’ve sung the praise of Spain at the Cervantes Institute and with the Spanish Consulate. I’ve been welcomed and championed and – most amazing of all – given away as a gift. I have been applauded and belittled – and learned that neither matter as much as the moments when someone tells me the book has helped, offered an insight, or illuminated a moment. Nothing thrills me more than that the book has given pleasure to some and been useful to others. It has even been re-read. Imagine!

Every day of this miraculous almost-nine-months, I’ve had cause to consider the road, the sins, and the sin-donors. Every day I’ve been grateful. It seems more incredible to me now, after the book has its own life, that people trusted me with their intimacies back in the beginning when it seemed like lunacy. When people tell me secrets now, they know that I can be a vault. It doesn’t make it any less of a privilege for me, but I’m aware that my first sinners took a leap, and I salute them again for their bravery and trust. The book could not have been a book without them.

To share one’s self to that degree is rare. They didn’t give me their air-brushed, curriculum-vitaed, rubber-stamped glossy selves. They gave me their scuffed, tarnished, worn and wept-over bits. Those stories are the most precious cargo I will ever carry. They taught me so much.

I’ve been asked often whether the road changed me. I think it’s an impossible question to answer, really. I hope it did. It certainly asked me to expand, every single day. It still does. And I hope I’ve been able to meet its requests when they have come to me. I try. I try really hard.

And I fail.

I fall too, as witnessed by a post on this blog!

But I like to think that the sinners, my road companions, my angels from Barcelona, the readers of the book, and my subscribers here, are behind me, propelling me up the hills when they’re steep and watching I don’t fall on the shale of the slippery downhills. When I remember all of them, I know there’s no failure, only expansion. Only growth.

So at this curious time of endings and beginnings, reflection and revelry, I come with no pride at all, only humility and wonder, to offer thanks. Gratitude. Which has the same beginnings as gracias and grazie. And grace. I have known such grace on this journey.

I trust that it will continue next year, when I will be sinning across Sydney, Perth, Albany and Brisbane at festivals and events. I know it will continue to take me in, deeper and deeper, and out, further and further, to my limits. And that is good. I am still a pilgrim.

Grazie. Gracias. Merci.

Terimah kasih.

That is Bahasa for “thank you”. It translates as “receive love.”

So here is the last poem for 2012. It’s an original this time.

 

Terimah kasih. Terimah kasih.

Terimah kasih, terimah kasih, terimah kasih, terimah kasih.

Terimah kasih.

 

Terimah kasih. Terimah kasih. Terimah kasih.

Terimah kasih.

 

 

May your final days of 2012 be peace-filled and joy-full.

May 2013 bring you dazzling roads and shimmering horizons.

May you be loved.

Always and all ways.

Walking near Glenlyon in Central Victoria. Photo courtesy of beloved walker Carl NP.
Muchas gracias!

 

I will write again in about four weeks, and I hope that you will continue to walk with me into the brave new year ahead.

Gracias, amigos. Gracias.

Buen camino…

 

Because I can…

A table for friends, inspired by words and pictures.

Early, this post. And silly. Frivolous, maybe.

Why not?

I don’t want to crowd pre-Christmas mailboxes, but here’s a gift for y’all……

When you hear sweet syncopation
And the music softly moans
T ain’t no sin to take off your skin
And dance around in your bones
When it gets too hot for comfort
And you can’t get an ice cream cone
‘T ain’t no sin to take off your skin
And dance around in your bones…

I danced around in my bones all day Saturday in 37 degree heat, preparing a dinner for a table-load of friends. Seven hours of chopping, dicing, slicing, cutting, plating, baking, with Paul Simon at full volume. He is my cooking guy!

No gluttony was involved, but I did feel sinfully happy, and Edgar Leslie’s lyric seems to sum up the best of that long, hot, dancing day of joy. I was rewarded with a cool change at 5pm, and a table singing with laughter and stories.

T’aint no sin – but it sure felt good.

Joy to you, amigos. Joy.

 

The gift of story

It’s a time of giving, that’s what we are told. Peace and goodwill.

It doesn’t always look like that! People are harried, brows are furrowed and parking spaces are fought over like miners’ rights.

So, in an attempt to simplify your life, and as a means of honouring some magnificent story-tellers, can I make an offering? Here’s a list of discovered – or rediscovered – books I’ve gobbled and loved recently. Give a book and you give a chunk of another person – usually their best bits. All of these are wonder-full “bits” of phenomenal story-teller citizens. Wander into your local independent bookseller (they are the keepers of the flame) and place your order. They will wrap the gifts while you browse for a story to cool your yule.

Helen Garner, Helen Garner 

I’ve been immersing myself in her words again, from her beginnings with Monkey Grip to her most recent book The Spare Room. It’s like taking a masterclass. Helen Garner has given us ourselves, over and over, in intimate, up-close-and-personal portraits that haunt, sustain and provoke. She has also given us places that become sacred sites. When I moved to Melbourne, the first thing I wanted to see was Monkey Grip‘s Aqua Profonda sign at the Fitzroy Pool. I was coming from Sydney, a city of shimmering surfaces, and moving south seemed like a pilgrimage to Helen and her deeper water.

I could go through every one of her books telling you the tattoos they’ve left on my reader’s skin. You could do the same, I know – because whatever Helen Garner writes, fiction or non-fiction, the heart of it will be true, no matter the cost to her. That’s why it is impossible to avert my eyes from a word she writes.

Small publishing houses

My book was published by Melbourne University Publishing under their Victory imprint. None of that means much to a reader, really, but I have learned, in my year as a novice in the world of books, that small, independent houses are vital to the ecology of our reading world, and that they are often the discoverers of new voices and brave stories. Currently I’m loving the clean prose and insider stories in MUP’s latest release Speechless – A Year In My Father’s Business by James Button. Highly recommended if you are curious about the machinations of contemporary Oz politics but have an aversion to the heat and partisanship of so much that is in the ether.

But lest you think I am just going to do a hard sell for my own publisher, please read on…

I’ve recently read several books from Scribe, another Melbourne marvel in the publishing world. Belatedly, I got to Tony Birch’s dark but hope-laden novel, Shadowboxing. Utterly beautiful.   The new collection of stories from genius Cate Kennedy is called Like A House on Fire. Difficult to imagine her topping her previous collection Dark Roots, but she has. And if you want a great poem or ten, Get a copy of The Taste of River Water. Her poems are distilled epics. Pilgrimage by Jacinta Halloran gave me a different kind of journey to my walk, but asked some similar questions about faith and belief. And love. She is a near-neighbour who also presented her book at the wonderful Grumpy Swimmer bookstore in Elwood. All the others in the image are beside my bed waiting. Hooray. Summer bodes well.

Just last week, Wakefield Press in Adelaide launched Mug Shots by Barry Oakley, esteemed playwright and scallywag. It’s a memoir with the same literary qualities as the cover shot – the raised eyebrow, the wry smile and the piercing gaze. I give thanks to a wise compañero for gifting it to me. There is immense pleasure to be had in reading a book simultaneously with those we love.

Meanwhile, I went to the very happy launch of a new book from Brolga Publishing in Melbourne. It has the seductive title Of Rivers, Baguettes And Billabongs, and is the work of a twinkly-eyed writer and winemaker called Reg Egan. He also happens to be the dad of one of my heroic sinners. Reg’s book is delectable, investigating whether it is possible to love two countries equally and to be loyal to both. You can imagine why I might enjoy it, but Reg sings his hymn to France. He makes me think I may yet be unfaithful to Spain….         No. Not possible! But tempting…

Blasts From The Past

First published back in 1973, Lillian Hellman’s timeless memoir Pentimento is a book I’ve owned for as long as I can remember. I lend it, lose it and gift it – then re-purchase it. The opening paragraphs are perhaps my favourite of any book, and the remainder does not disappoint. By the way, my favourite ending to any book can be found in Timebends, Arthur Milller’s exquisitely wrought autobiography. If you have not read it, do. Please. It helps that both these writers have big stories to tell about big people and events. (Apologies for not posting a cover picture of the Miller – it’s on loan!)

The Great Arch, by Vicki Hastrich, was only published four years ago, but it felt like a classic to me. Wise, ambitious, intimate and yet sprawling, it tells the story of the Sydney Harbour Bridge, and Ralph, the Rector at Lavender Bay, who falls in love with the great arch. But that is the tip of an enormous iceberg, and the story is told in many voices and forms. I can’t believe I missed this when it came out, but I am eternally grateful to Charlotte Wood for introducing me to Vicki Hastrich’s writing. A gift beyond compare.

I know I have forgotten someone. There are dozens of books I covet, and piles here beside me waiting to be read, but I think it only fair to report on those I’ve experienced. I haven’t jogged your memory about the work of another favourite, Michael Cunningham, or suggested you lash out on some poems by Rumi, or that you get your kids a copy of something by Shaun Tan. I’m remiss. I’m sorry. Please don’t forget there are two earlier posts about books here and here, which do at least supplement my addled blonde pre-Christmas dizziness.

All three book posts talk about giving. Funny, because many of the books were gifts I gave myself! But I always think of a book as a potential gift. Sharing a story has been part of my life since that Owl sailed off with the Pussycat, and Mary Grant Bruce’s Norah of Billabong showed me that a little girl’s bush life was worthy of being a story. Choosing a book to give is as close as I will ever get to being a psychologist, as I respond to my friends’ foibles and fabulousness via the shelves of a good bookstore. I’m elated when a friend tells me they have loved a book I’ve found for them, and intrigued when a friend doesn’t like a book that has sung to me. We don’t have to agree. Disagreement over a book can lead to a deepening of friendship. Why? Really? I never knew that!

And so it goes.

Wherever you are as you prepare for this season, if you do celebrate it with an exchange of gifts, let some of them be stories. They are the gifts that define us; the gifts that expand us. Those black shapes on a page or a screen are the trails left as human hearts were being mapped. Caminos, every one…

Buen camino, fellow readers. Aren’t we lucky to be able to share such tales?

And gracias to storytellers everywhere. Without the books I’ve read and loved – and those I’ve rejected, too – my life would be a barren place, and I would never have dared to try to tell stories of my own.

Thank you to all of you who subscribe or visit.

Thank you for welcoming Sinning Across Spain into the world.

You have been MY gifts in this Year of Wonders.

(Now that’s another great book, don’t you reckon?)

 P.S. Please take a minute to read the comments on this post. More great recommendations. Not that I’m surprised – your comments are always rich with insight and observations.

Adios primavera

The wide brown land is baking today. Fire warnings abound, as all creatures great and small look for caves and cool. Tomorrow, rain and storms are predicted, along with icy southerly blasts. A change, they call it at the weather bureau.

Spring is exiting stage left, but she is not going gentle. She is burning and raving, raging, hurtling to her end, free of fear or doubt. “Adios”, she calls over her shoulder, kicking up dust as she leaves me behind.

When that dust settles, I look down and see the rose, a shock of crimson, past its prime and out of place. This is a lonely path. I chose it because no-one ventures through these ravaged gullies where thousands once excavated for gold, and trees whisper of disappointed avarice. The foot-width trail, made by kangaroos through spindly burned gums, yields wonders sparingly, demanding a walker return over and over to its flinty surface before it reveals a snuffling echidna or a native orchid.

So how did the rose get here?

I want to pick it up and see if there is still any scent to be had, but something stops me. Its stem is short. Was it worn in a lapel to a dance where things did not go to plan? Was it nestled in the upswept hair of a girl as she swayed and dipped across a polished floor? And what befell her, that her rose ended here, at my feet?

The forest is silent. It broods. Would it yield up a body to me if something terrible had happened? We are remote enough to speak of shallow graves.

There are no marks in the dirt to speak of struggle, no indentations or footsteps in dried clay, no signs to tell me how a cultivated, blood-red wonder has been transported to the goldfields rough, its petals in danger of being crunched into the quartz by my boots.

A shard of sunlight finds the rose, exposing it as dry, its stem withered. Done.

“Rose…” I whisper into the eucalypt-scented silence.

I walk away, straining to see or hear something that might explain it, but there is only the creak of a trunk against the branch of a neighbouring tree, and the scrunch of my feet. This forest does not give up its ghosts, but they are out there. Somewhere to my left, the thump-thump of a wallaby; overhead the shriek of a cockatoo; somewhere very close, the slither of grass parting at ground level.

Feet on earth. Marking out time. The scrunch. The rhythm. The passing. On.

To the cemetery.

Coming out of the forest into grazing land, there it lies, framed by grandfather eucalypts and pines, introduced and indigenous standing sentinel around the bones of other grandfathers. And children.

I walk through the creaking metal gates and up the central avenue, passing the century-old plinth where only one word of the inscription remains intact – SACRED; past purple thistles rising out of the earth and marble crucifixes crumbling back into it; past the granite stone for Laurel, “Giver of love and joy”; and past the holly bush that has grown on the still-tended grave of an infant who would now be a woman more than a century old.

On the high ground, under a row of whistling pine trees, there’s a slab of red stone for Norman, who died almost twenty years ago. Neighbour Norm, a flirtatious bear of a man who used to joke that he joined the Progress Association to ensure there was no progress, and whose inscription tells me that the greatest of all is love. To Norman’s right is a matching stone for his grandson Michael, whose life was taken by depression over a decade ago. I’m glad Norman went first.

I plant myself between them, looking over the field of the dead to the young eucalypts planted across the road. They will be harvested for commercial use. Their fate is known.

Norman, Michael and I sit on the hill. Norman reminds me to feast, to laugh and to love well. Michael reminds me to relish the days of sun, because the dark ones can claim us. The eucalypts speak of the honour of usefulness, and the imperative of remembering that the end will come.

Except of course, the end doesn’t come. Why do we assume “it” ends when we do? “It” goes on. “It” keeps turning, and feet keep walking, roses keep growing, and we keep remembering.

The sun is high and the pines smell like Christmas.

Time to move. The road is waiting.

I walk back down the central path toward the eucalypts.

Some of them have been burned.

Their trunks are charred black, but at the base of one tree, silvery grey leaves have sprouted, thick and determined.

New life from old.

 

My feet crunch on gravel.

The scrunch. The rhythm. The passing.

On. On. On.

The scrunch of feet on gravel - click to hear!

Adios, primavera.

Goodbye spring.

Of newborn buddhas and dusty boots

On the Great Dividing Trail – no division!

“Isn’t all that walking boring?”

It wasn’t the first time I’d been asked that, and I understood the question. After all, walking is just…well…walking. It’s slow, repetitive and not particularly cool or sexy.

All I can say is no, it’s never boring for me. Sometimes it’s hard. Sometimes it’s exhausting. But I’ve never found it boring. My mind, which can judge activities and label them as interesting or dull, is lulled by walking, and even at times released by it. Walking gives my mind a freedom it achieves nowhere else, as I describe in the book.

My compañero from the Camino Francés sent me the following words from teacher, poet and peace activist, Thich Nhat Hanh. I love them because they describe a state I long to achieve in all areas of my life. I trust that it might one day be possible, because I can achieve something like it when I walk. See if you can get your mind to attend to every word. It’s not easy.

To my mind, the idea that doing the dishes is unpleasant can occur only when you are not doing them. Once you are standing in front of the sink with your sleeves rolled up and your hands in warm water, it really is not so bad. I enjoy taking my time with each dish, being fully aware of the dish, the water, and each movement of my hands. I know that if I hurry in order to go and have a cup of tea, the time will be unpleasant and not worth living. That would be a pity, for each minute, each second of life is a miracle. The dishes themselves and the fact that I am here washing them are miracles! Each bowl I wash, each poem I compose, each time I invite a bell to sound is a miracle, each has exactly the same value. One day, while washing a bowl, I felt that my movements were as sacred and respectful as bathing a newborn Buddha. If he were to read this, that newborn Buddha would certainly be happy for me, and not at all insulted at being compared with a bowl.

So, in direct answer to the question about walking, and begging forgiveness from the wise teacher, please consider the following, knowing that your mind will try even harder not to attend!

To my mind, the idea that walking is unpleasant can occur only when you are not doing it. Once you have put on your dusty boots, and loaded your pack onto your back, it really is not so bad. I enjoy taking each step, being fully aware of my foot on the earth, the landscape, and each movement of my chest as I breathe. I know that if I hurry in order to get to the finish line, the time will be unpleasant and not worth living. That would be a pity, for each minute, each second of life is a miracle. The steps themselves, and the fact that I am here taking them, are miracles! Each kilometre I travel, each song I sing, each time I let my arms swing past my hips, is a miracle, each has exactly the same value. One day, while walking, I felt that my movements were as sacred and respectful as bathing a newborn Buddha. If he were to read this, that newborn Buddha would certainly be happy for me, and not at all insulted at being compared with walking.

I hope the venerable Thich Nhat Hanh, and my compañero, will not feel at all insulted at my rephrasing of that beautiful text.

Chop wood. Carry water. Wash dishes. Bathe newborn Buddha. Walk.

Peace.

Peace was the wish made by my amigo in Baños de Montemayor.

Paz.

It was a wish made by many of us at last week’s conversation with Tony Doherty. If you’d like to view the YouTube clip of that, please bear in mind that we take up the first 75 or so minutes of the 100 min total. Also bear in mind that our conversation took place the day after George Pell’s press conference about the abuse of children within the church, and as a result the talk is coloured by that.

The last thing I ask you to bear in your wonderful mind is gratitude – to all who read these offerings, and in particular, to all who attended that night. It was humbling – and painful – to hear some of your stories afterwards, and I am walking with you in my heart.

Paso a paso. Step by step.

 

Cleaning and purging

Today I cleaned.

I re-ordered bookshelves and desktop, making room for new research materials. I bundled up all the books that were in need of another home, and hung them out on the front fence for passers-by. I tucked away my recent workshop notes and discarded a pile of advertisements for printers and office chairs. I filed the dreaded tax papers and, then, in desperation, I cleared out my wallet.

I know! It was procrastination and avoidance.

The new book is coming along in fits and starts, but it likes to hide from me at regular intervals. I try to chase after it, running to keep up, but sometimes it just gets away, and so I apply myself to something else as I lie in wait for it to return. Hence, the wallet purge!

Amid the bills and receipts, the forgotten shopping lists and library reminders, I found treasures. There was a holy picture of the Santo Niño de Atocha – the one given to me by Ricardo on the plane to Barcelona. There was a florist’s gift card from eighteen years ago, when I was trying to realign myself after the death of my mother. There was a verse, sent to me almost two years ago by a fellow peregrina in Tucson, Arizona. And there was a tatty piece of paper I have carried for years, maybe decades. On it are lines in my own handwriting – recognisable, but somehow changed – that continue to call to me.

Now, as I’m grappling with a story that has, at its heart, the landscape of my childhood, I wonder how I will ever come close to those words. Perhaps I’ve carried them all this time because I knew that one day I would try to write about my experience of this land, in the same way that Marcus Clarke did. If I’m really honest, though, I think I carry them because I believe they’re perfect, and I don’t know of many things that are. Least of all, me! So from the depths of my battered red wallet, here is a piece of perfection.

In Australia alone is to be found the grotesque, the weird, the strange scribblings of nature learning how to write.  Some see no beauty in our trees without shade, our flowers without perfume, our birds who cannot fly, and our beasts who have not yet learnt to walk on all fours.

But the dweller in the wilderness acknowledges this fantastic land of monstrosities.  He becomes familiar with the beauty of loneliness.  Whispered to by the myriad tongues of the wilderness, he learns the language of the barren and the uncouth, and can read the hieroglyphs of the haggard gum-trees, blown into odd shapes, distorted with fierce hot winds, or cramped with cold nights, when the Southern Cross freezes in a cloudless sky of icy blue.

Last night I had to consider other monstrosities and distortions, when about one hundred people gathered at an event that was billed as a conversation about pilgrimage between me and Monsignor Tony Doherty.

I think it would be fair to say that most of the people in the room were, or had been, Catholics. I think it would also be fair to say that everyone there was reeling from the barrage of information that is surfacing about the extent of abuse – of sinning – that has occurred within the Catholic Church. Words like “horror” and “disgust” were in the air, and with cause.

Tony and I decided it was not possible to avert our gaze from what was happening out in the world. He spoke of his sorrow and distress, and then we went to the book, choosing to  discuss my amigo’s story of the childhood sexual abuse and suicide of his brother. Mostly, as I commented in the previous post, conversations about the amigo have focused on my battle with desire. But last night, amid the pain and shock, we were able to honour his story, and the story of his brother’s suffering – and I was once again humbled and grateful for the trust he placed in me when he told it to me.

At night’s end, I felt changed. I remain appalled and enraged about the unimaginable suffering of so many at the hands of clergy, but I’d been reminded that it’s only by facing up to darkness, by looking squarely at it, and expressing our grief and abhorrence, that any kind of change can occur – and that then, we might be able to offer solace and support.

It had been a tough day for other reasons, too. I’m currently wading through the “Bringing Them Home” report on the stolen generations. The first-hand testimonies are heartbreaking and shameful. Fresh in my mind was “Devil’s Dust”, the two-part TV drama about James Hardie’s handling – or total non-handling – of the many who fell ill and died from exposure to asbestos while working for them.

So much suffering, and such unwillingness to take responsibility. Why the stubborn refusal of some in power to do the simple human thing of looking people squarely in the eyes and saying “sorry”?

I don’t understand why it is so hard. I don’t care about the legalities and the reputations and the money. I can’t understand. I don’t think we can ever be fully at home – in ourselves, with each other, or on this perplexing and mysterious land of hieroglyphs and wilderness – until we are able to do, privately and institutionally, what my amazing sinners did: to look directly into the eyes of another, to admit to shortcomings and fault, and then to begin to create change from that position of humility.

Hard but beautiful, that humility. And within it, surely, lies hope.

At the end of last night’s discussion, a lady called Eve Cazalet came to say hello. She said she was into her third reading of my book, which was gift enough for this first-time author, and then she handed me an envelope. When I opened it, I saw that she had inscribed a translation of selected lines from Antonio Machado’s poem – my amigo’s favourite. His road gift to me, given again after we had remembered him in conversation. A circle closed with a soft click.

Thank you Eve. Cleaning and purging might well have been avoidance, or perhaps it was a natural response to horrors, but you and Marcus Clarke both reminded me that there remain glimmers of perfection. I will look out for them.

Thank you to everyone who came last night, and loud applause to Garry Eastman and the Garratt Publishing team for making it possible. Deep gratitude and admiration to Tony Doherty for his honesty and generosity.

Gracias, gracias.

It means “grace” as well as “thank you”.

A postscript on 22nd November…

Some of the comments on this post are particularly long, generous and thoughtful. If you can find the time to scroll through to the end, you will find gems. Gracias to the amazing sub-scribers. I’d never considered it before – but you are scribing when you comment. Isn’t that lovely?

Gracias. Again!